We created a set of modular travelling retail cases for the Dior Homme Made To Order Exotique Collection 2016. The living, minimal installation showcases the craftsmanship and quality of the jackets and accessories, which are made from exotic leather. Light is used as a means of product discovery throughout the entire experience. Each step unveils a new plane of discovery showcasing the meticulous and detail-oriented work of each product. Curiosity is aroused by a breath-like rhythmic light animation pulsating through the sides of each case, drawing viewers’ attention to the hidden leather goods placed on sliders within the structure.
A window in the display’s front layer reveals a hint of the product’s material and pattern. The two-step opening of the cabinet highlights its symmetrical structure . To complete the experience, the display turns into a personal dressing room once the jacket is removed.

Sid Lee commissioned Bonsoir Paris to design and build a kinetic sculpture to celebrate the 96th edition of the ADC awards. To express this year’s baseline, «Craft Takes Time», we created a handcrafted mechanical object that animates the digits 9 and 6 into an infinite light loop.
Inspired by an oloid and a pendulum clock, the sculpture is composed of a 9 interlaced with a 6. Its continuous movement signifies the passing of time, infinite and hypnotic. The base, including the mechanical elements, resembles the structure of an hourglass.
The animated light is synchronized with the rotational speed of the suspended sculpture. The mechanics and electronics involved are invisible, to preserve visual sobriety.

Wasted Time is an on­go­ing se­ries of still life pho­tog­ra­phy in­formed by a de­sire to spon­ta­neously cre­ate using what­ever we come across in our stu­dio and en­vi­ron­ment. These im­ages in­voke the stu­dio’s fetishis­ing of ma­te­ri­als and forms, and the con­stant search to in­ter­sect them in novel ways.

In 2016, we designed a set of modular furniture for the French creative label, Etudes Studio. In April 2017, to showcase their SS17 “Deconnexion” collection at Harvey Nichols in London, we were invited to exercise the modularity of the furniture system we had originally imagined, and design an updated module.
For this particular edition, we replaced the removable panels with translucent prints on clear sheets, using the campaign imagery shot by Colin Snapp. The paint on the structure was stripped down to reveal its raw metal core.
Our intention was to integrate the brand imagery into the display to literally merge, through a play of transparency, the images with the collection.

After 30 years of providing care and witnessing health inequities over the world, Médecins du Monde celebrates their social action with an exhibition in Paris at La Topographie de l’Art.
Seven commissioned photo and video series are put in dialog with archival content in order to make a point about the past and present situation.
The dialog is driven by a layered distribution of visual and written content, enveloped by the NGO's emblematic blue. The transparency used to structure the space creates a link between the images and the corresponding text related to them. The path of the exhibition is marked by lit passageways, directing the sense of the circulation.

We were commissioned by mk2 to concept, design, produce, and brand a first-of-its-kind VR center, a new cultural space in Paris at the Bibliothèque Francois Mitterand.
Converging our design approach and the latest interactive technology, a nonagonal structure intermixes metal, wood, fabric, and 3D prints to provide a bespoke immersive and collaborative virtual reality experience. The mk2 VR logo illustrates the meeting of the Virtual and the Real that gives birth to a third space. Symbolized by the use of the trapeze, it echoes the nonagonal floor pattern of the VR pods. The shape is modular and mutates with its content.
The innovative open-ended design, housed in a 14m tall 150m2 glass cube, centralises trapezoidal VR pods around a core technical structure, allowing users to freely interact in virtual reality unrestrained by cables or walls.
mk2vr.com

We were consulted by Willo Perron & Associates on the scenic design of Rihanna's opening performance for the her MTV VMA Vanguard Award. The breathing installation mixes between opaque inflatables, melted plastic, and pepto pink, supporting Rihanna's medley of performances from her back catalogue.

The installation was inspired from the theme of the COS collection «Modern Utility» dealing with simple, optimised forms created by modern technology. Driven by a focus on modularity, the overall concept is based on rapid building and disassembly, designed after the structural codes of the atomic form. This centrepiece, a 3D-printed constructing atom, can create an infinite number of geometric sculptures, offering a high degree of modularity and permutations
To enable rapid building, each piece, colour, and material corresponds to a useful and precise place. Colours were chosen to enhance the product’s visibility and presentation, to contrast with the selected space and construction system. Indeed, this building paradigm can create an endless stream of COS product displays. This pop-up concept, like the timeless white oxford shirt, has no lifespan, and can live in any shape, space, or scale.